The Bare Island (Goli otok) / Vision in the shadow

Using the method of esthetic processing, of artistic digital manipulation of photographical "facts", the author symbolically addresses the everlasting possibility of the autonomously-sensible delight concerning the "nonpolitical" beauty and signi cance of the light refraction, the light and shadow performance, even though we are talking about a "picture" that is to say a hidden "portrait" of the broken-down Dorian Gray from the Bare Island.
Branko Cevrovic

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